TICKETS ON SALE NOW!
Reserved Seats: $45.00 | VIP Box Seats: $57.50
plus applicable fees
*This is a rain or shine event.
ABOUT STEVE EARLE & THE DUKES
Throughout his more than 30-year career, Earle has mined the rich veins of American roots music from country to rock and roll, folk and rockabilly. On his 16th studio album of his singular career, Terraplane, Earle pays tribute to the blues, influenced by the blues giants he saw growing up in Texas – Lightnin’ Hopkins, Freddy King, Johnny Winter, Jimmie and Stevie Ray Vaughan, Canned Heat and Billy Gibbons. Recorded in Nashville by Ray Kennedy and produced by R.S. Field, the inspired collection is his homage to the music that he calls “the commonest of human experience, perhaps the only thing that we all truly share” and a record he has wanted to make for a long time. Over 11 original tracks, Earle and his longstanding band The Dukes traverse various forms of the blues – from the Texas roadhouse blues of opener “Baby Baby Baby (Baby)” to the acoustic blues of “Ain’t Nobody’s Daddy Now” and the Chicago blues of “The Usual Time to the pre-war blues of “Baby’s Just As Mean As Me,” a duet with Eleanor Whitmore.
ABOUT THE CACTUS BLOSSOMS
Our new album, You’re Dreaming, didn’t happen overnight. It is the culmination of several years of songwriting and the kindness of thousands of miles and friends. A cast of characters, experiences, and personal perspectives set in simple rhymes and sung in harmony to paint a picture in your mind.
When my brother and I started making music as The Cactus Blossoms there wasn’t a big plan. We cut our teeth performing some well known and obscure country songs that were popular or unpopular pre-1960, partly out of curiosity and deep appreciation, but mostly because it was fun. Early on, we were offered a residency at the Turf Club in St. Paul, Minnesota, so we got a band together and it became our weekly “practice-in-public” where we would pull out every song we could think of, no matter how well we knew it. It was our first chance to play all night and do whatever we wanted. Over the course of our year and a half at the Turf Club our repertoire had snowballed into an amalgam of original songs and a bunch of gut wrenching, “tongue-in-cheek” heartbreakers, that were 30 years older than us. Not everyone could tell what was new and what was old, and it didn’t really matter. They just seemed to enjoy it. That’s how the wheel got going and gave the illusion of spin
ning backwards. We weren’t born in the wrong era. We just got into some music from a different era and happened to make it our own.
Every step of the way we’ve had the good fortune of being offered an opportunity that seems just beyond what we’re ready for. It always stretches us out and makes us feel lucky as hell. When JD McPherson called us up and said he was interested in producing our record it was the latest in a series of serendipitous events that have brought us to where we are today. We had opened for him at a hometown gig in Minneapolis a few months earlier and had met him briefly, but could never have imagined then that within a year we would be recording a new album with his help and criss-crossing America on tour with his band. He’s got the singing voice of an angel, a connoisseur’s taste, the boundless creative energy of a child, a scholar’s mind, and he can hear like a wolf. This guy was the guy. He wanted to do something sparse and rhythmic with simple melodic arrangements and it lined up perfectly with the direction our new songs were leading us.
We wanted to record live with the best rhythm section we could find, which led us to Chicago where JD enlisted the amazing talents of drummer/engineer Alex Hall, guitarist Joel Paterson, and Beau Sample on upright bass. Three musicians who practice their respective crafts to genius proportions and bring it all to the studio. At the start of our first recording session we barely knew these guys and they barely knew our music. Alex was setting up microphones and running cables while the rest of us were drinking coffee and cracking jokes to wake up. Within a couple hours we had cut the first song for the album, “Queen Of Them All”, and we knew we were in the right place at the right time.
ABOUT THE MASTERSONS
Don’t bother asking The Mastersons where they’re from. Brooklyn, Austin, Los Angeles, Terlingua; they’ve called each home in just the last few years alone. If you really want to get to know this husband-and-wife duo, the better question to ask is where they’re going. Perhaps more than any other band playing today, The Mastersons live on the road, perpetually in motion and always creating. Movement is their muse. On tour, in the unpredictable adventures and characters they cross, in the endless blur of skylines and rest stops and dressing rooms and hotels, that’s where they find their greatest inspiration, where they hone their art, and where they crafted their brilliant new album, Transient Lullaby.
Ultimately, the road is at the core of everything The Mastersons do. “Happy When I’m Movin'” reflects their constant need for forward momentum, both physically and emotionally, and the title track paints the pair as “pilgrims of the interstate” on an endless voyage. “No I don’t unpack my bag / Traveling from town to town,” they sing in beautiful harmony. “Set ’em up and knock ’em down / Where there’s work and songs to sing / You’ll know the place where I’ll be found / If you don’t want to be alone / Then come along.”
For The Mastersons, all that matters is where they’re headed, and the songs they’ll write when they get there.
Tickets will be available to purchase in person at Bunkers Music Bar & Grill 11AM to 2PM on Saturday, April 22nd only.