First Ave, SMA, & SiriusXM Jam On present

Galactic Winter Tour

with special guests The Hip Abduction
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Fri, Mar 24 8pm First Avenue Doors 8PM | Music 9PM | 18+

First Avenue, SMA, and SiriusXM Jam On present
GALACTIC Winter Tour
with special guests The Hip Abduction

March 24th, 2017
First Avenue Mainroom

Tickets On-Sale Friday, November 11th @ Noon!
Ticket Prices: $26 advance | $28 door
plus applicable fees

Buy tickets at First Avenue, The Depot Tavern, The Turf Club, select First Avenue Ticket Outlets, charge by phone at 800-514-3849, and online at etix.com.

ABOUT GALACTIC

It’s been more than 20 years since Ben Ellman, Robert Mercurio, Stanton Moore, Jeff Raines and Rich Vogel began exploring the seemingly limitless musical possibilities born out of their work together as Galactic. Since then, the seminal New Orleans band has consistently pushed artistic boundaries on the road and in the studio, approaching their music with open ears and drawing inspiration as much from the sounds bubbling up from their city’s streets as they do from each other.A key part of that creative spark comes from the teamwork of Mercurio and Ellman, whose ever-evolving production and arranging skills helped usher the band into a new phase of studio work beginning with the loop-centric “Ruckus” in 2007. A series of albums focused around specific concepts like Carnival followed, as did collaborations with guests hailing from worlds outside the one Galactic calls its own.

On “Into the Deep,” the band members look within themselves instead, drawing inspiration from people and ideas that have long been close to their hearts – and, in turn, close to the development of their unique sound. Shot through with soul, funk, blues and rock, the result is an organic riff on elements of Galactic’s past, filtered through the lens of where they’re headed in 2015.

“I see this album as a kind of culmination of all of our collaborations or experiences, from [trombonist] Corey Henry to the people we met on the road, touring,” says Mercurio, referencing Ellman’s first full-time gig in New Orleans, which kicked off when Henry hired him into the Little Rascals Brass Band in 1989.

“The previous albums took us in the opposite direction,” Mercurio says. “We collaborated with rappers that we had never dealt with and even on the New Orleans tracks, we didn’t have working experience with most of those artists before the recordings.”

In contrast, “Into the Deep” contributors like JJ Grey, David Shaw and Maggie Koerner spent significant time touring with Galactic. A few years ago, Mavis Staples sat in with the band, all of whom are longtime fans of the legendary singer’s R&B-meets-gospel soul style. They caught up with Macy Gray when she performed a memorable concert at Tipitina’s where Ellman says he could see from the outset “how much she cares about the music.” And each of the players had also developed a deep appreciation for the Honorable South’s Charm Taylor, whose contribution, “Right On” was written specifically to suit her vibe.

“Quint Davis [the producer of] Jazz Fest always has a couple people he books at the festival that aren’t big names but that Quint knows are going to be super cool,” says Ellman. “That’s how we met Brushy One-String. We originally wanted to bring him in to do anything, just to see what would happen. But when we heard his song ‘Chicken in the Corn,’ we really wanted to do our version of it.”

In the end, he joined them on the road for over a month, collaborating with the band onstage at each show.

For the instrumental tracks, Galactic mined the interests and tastes they’ve cultivated together for years in New Orleans. “Buck 77” was written via improvisation, a long-standing cornerstone of their live shows. The funky bass line and tumbling guitar part on “Long Live the Borgne,” meanwhile, represents an updated, more composed take on some of the concepts that made early albums like “Coolin’ Off” so strong.

As for the opener “Soogar Doosie,” Ellman points out Galactic tends to record at least one track on each album that speaks to the band’s collective love of brass band music.

“We write [those songs] with the idea of how awesome it would be to hear the Rebirth going down doing the street in a second line playing one of our songs. We try to think of a real second line song that would get people slapping stop signs and dancing on cars,” he says.

The album, Ellman says “is all about people. It’s these connections we’ve made over 20 years. They’re people in our orbit that have come into our little world and affected us in some way.”

It’s also about how the individual musicians within Galactic have grown over time. When it comes to trying new approaches as players, producers, songwriters and arrangers, Ellman muses, “it’s an evolution.”

www.galacticfunk.com


ABOUT THE HIP ABDUCTION

Sometimes inspiration strikes from the immersion of living in a far away place. The view of the ocean. The sound of a rainforest at sunrise. The smell of an open-air market. The embrace of the wild human experience. However, maybe the nostalgia for a certain place might be attributed instead to a feeling, or a time, or even a person. Sometimes, inspiration stems from a place that everyone can relate to, but maybe no one’s actually been. This is the music of The Hip Abduction, the vibrant St. Petersburg, FL-based collective that formed over a mutual appreciation for West African and early Jamaican reggae/dub music.

The Hip Abduction began through informal jam sessions and quickly coalesced into a sound that attracted national attention. For Gold Under the Glow, the band’s third full album released on March 11, 2016, THA engage an indie pop acumen alongside a highly emotive and roots driven sound. Recorded in Nashville, Gold Under the Glow was produced by Dabney Morris (Wild Cub) who is credited with incorporating synth-pop teeth into the band’s global foundation and summery vibe. It’s a smart blending of world pop and club aesthetics that appeals to both audiences.

The Hip Abduction featuring David New (lead vocals, guitar), Pat Klemawesch (kamale ngoni, guitar, vocals), Chris Powers (bass), Dave Johnson (baritone and tenor sax), Sean Fote (keyboards), Matt Poynter (drums, vocals), and John Holt III (kamale ngoni, guitar, vocals) have shared stages with the likes of Ziggy Marley, Umphrey’s McGee, Thievery Corporation, 311, Dawes, Galactic, and .moe and has performed at Sunfest, Wanee Music Festival, Suwanee Hulaween, Orange Blossom Jamboree, Tropical Heatwave Music Festival, The BIG What? and more. The coming year promises national tour dates with exciting appearances at festivals including Shaky Knees, Slide Into Spring Fest and more. Fans should also be on the lookout for surf footage and travel photos from this Florida coastline collective.

www.thehipabduction.com